by Bruce Blake
Recently, our good friend Scott Bury lamented in his post, Spies Everywhere, how it seemed that Hollywood and Sony had been ripping off his ideas. Inspired by his post, I decided to take a closer look at a similar subject.
One George R.R. Martin.
Perhaps you’ve heard of him…he is writing a little series about some place called Westeros.
Like most of the free world–and by free world, I mean anyone who has cable, a DVD player, or loose enough morals to take advantage of sites like Project Free TV–I’ve recently finished watching season 4 of A Game of Thrones. Unlike the majority of people watching this excellent series, I have also read the first three books of Mr. Martin’s A Song of Ice and Fire. For those of you who are unaware of the parallels, that means I am in the same place both televisionally and literarily (I think I made at least one of those words up).
Since this is the case, I decided it was time to pick up the fourth volume, A Feast for Crows, and get it read before season 5 arrives so I can stay ahead of the game and bother my wife, who hasn’t read the book, by letting slip the odd important detail before it happens whenever she makes me mad.
I’m not far into the book–only about 150 pages (and still waiting for something of importance to happen. It’s sad that, the more successful an author gets, the less say the editors have…happened to J.K. Rowling and Stephen King, too)–but I’ve come to notice a pattern in the books of Mr. Martin’s that I’ve read.
George RR Martin is stealing my ideas. Here’s how my observation differs from Scott’s, however:
George isn’t just stealing my ideas, but he’s doing it, writing them, and publishing them before I ever have them!
The unmitigated nerve! I imagine that a number of other authors are finding much the same thing when they read his series. What it boils down to is that the man is so creative and imaginative, and the series looks to be stretching on for so long, George may actually use up every good idea there is to be used in fantasy.
How many of you have had the idea of an army created from men bred from the time of their birth to be warriors? Or of people who can ‘warg’ themselves into animals (you may have used a different term)? God trees? Cities built on islands interlinked by bridges (Scott Lynch must be stewing over that one!)?
Similar comments may be true of many other lengthy fantasy series but, to be honest, I haven’t read too many of them. I started Robert Jordan’s Wheel of Time series years ago, but found it too slow-moving to slog my way through all one hundred and thirteen books, so abandoned it after about 400 pages. The only author we likely can’t accuse of pre-stealing our ideas is JRR Tolkien (as I’ve probably wondered on the very blog in the past…should I change my name to Bruce RR Blake? Would that guarantee me some measure of success?). Since Mr. Tolkien pretty much invented the entire genre, it is he whom the rest of us deign to pilfer from.
The thing that makes Mr. Martin’s reverse larceny most concerning is the massive amount of exposure his ideas have received. Seven million people watched the season 4 finale on HBO, and I presume that number doesn’t include the pirates who watched it (Arrr!). If I’d discovered some unknown–or even relatively known–author had plagiarized my cool ideas before I had them, I probably wouldn’t be quite so concerned. But seven million people watched one episode…one episode!!
How will I ever get credit for a reasonable idea if he keeps writing?
I may as well give up this genre and start writing about a boy who goes to wizard school…wait. What? Someone already did that?
See what I mean.
So, George, I beg of you…lay down your quill, unplug your Selectric typewriter, lose the password to your laptop. For God’s sake, and for the sake and sanity of all the fantasy authors in the world, leave some good ideas for the rest of us!
You should still read his books, anyway.